Help Portrait Prescott is a new local chapter of a national organization that offers to individuals and families who could not otherwise afford it a posed, professional portrait in a studio environment. Each individual is given an 8 x 10 framed portrait; families receive an 11 x 14 frame. All are given digital shots and coupons to make additional low-cost prints.
Scott Bideau, the organizer of Help Portrait Prescott, holds a portrait from a similar event a few years ago of a family who arranged for the portrait to send to their daughter serving in Iraq. The father in the photograph was a community leader who died two years later from lung issues he suffered after volunteering to assist his brother at Ground Zero after the 9/11 attacks. (Nanci Hutson/Courier)
This year marks the 10th anniversary of Help-Portrait, a global movement of photographers, hairstylists, and makeup artists using their time, tools, and expertise to give back to those in need. I was fortunate enough to get involved with this event in 2009, the first year that it expanded from the inaugural Nashville location to cities throughout the world. Since then, I have founded two local chapters and learned a lot about how to put on a successful Help-Portrait event. In this post, I’ve shared some of my experience from coordinating these events in the hopes of inspiring others to do the same.
I try to update my headshot every 5 years so that people easily recognize me when meeting in person for the first time. After walking away unsatisfied from three different headshot booths at recent industry conferences, I decided to back the cars out of the garage, set up a portrait studio, and take one myself. This turned into a fun little selfie project despite the strange look my kids gave me when I asked if I could borrow their giant teddy bear for pictures (more on that later).
I’ll never forget my first time photographing action sports. I was attending the 30th Annual Steamboat Springs Hot Air Balloon Rodeo with my family. I had just purchased my first SLR camera about a year ago, so I brought it along. What I learned is that great images are created through a combination of proper camera equipment, technical skillset, and the ability to find unique perspectives to capture.
I had the great privilege of facilitating a Skype interview with National Geographic photographer Jim Richardson at this week’s Yampa Valley Photographers meeting. Jim offered some great advice on everything from ethics to gear to photography business management – all from his “Small World” studio in rural Kansas.
This image of the San Francisco skyline underneath the Bay Bridge is fairly straightforward from a technical perspective. But getting to this location is not so easy, especially with recent construction and government property restrictions on Yerba Buena Island, a rolling carry-on suitcase in tow, my extreme allergy to poison oak, and of course a steep cliff dropping into the bay. This is one of those “getting there is half the fun” stories.
Color can occasionally distract from the core theme of a photograph. I find that a simple black and white contrast is sometimes the best way to tell a story, and that’s exactly how I prefer to view the Statute of Liberty from the Ellis Island immigration building.
Umbrella Silhouette
Canon EOS 7D
Canon EF 24-105 f/24L IS USM
Canon 580EX II Speedlite
1/250 second at f/4, ISO 100
Creative lighting is one of my favorite aspects of portrait photography. Here’s how careful control of ambient light combined with a single Speedlite and $25 wireless triggers created this unique silhouette image…
A common question asked by an amateur photographer looking to turn professional is, “what equipment do I need?” I’ll skip the discussion around skill and experience being more important than equipment, but before you rush out and buy any equipment or start offering your services to others, you should consider the various liability issues and the options for operating as a legal entity that are available for your business and obtain the proper insurance for both your equipment and liability. I’ll cover specific options available in the United States in this article, although similar concepts are available in other countries.
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